Professional training for interested dancers in the LOFFT rehearsal room.

The M.over Company’s open rehearsal offers an insight into the work of KLASSE | CLASS.

Between dance, text, percussion and audio recordings, a finely pulsating performance emerges about the power of grandmothers.

An autofictional quest for traces of queer family history – buried, slumbering, retold, invented. Who is hiding in the gaps of the family tree?

The ‘wrong’ T-shirt, the cheap trainers – how quickly does class determine who belongs? In the dance piece KLASSE | CLASS, choreographer Mandy Unger, together with four dancers, explores how social origin is inscribed in the body and movement, and how dance, club and hip-hop culture can act as means of coping and self-empowerment within this context.

A conversation about class, accessibility and barriers in the cultural sector.

What do inclusive ensembles, companies and bands, as well as artists with disabilities, need to be able to do their work? And how can venues and events be made accessible to a diverse audience?

A walk-through audio installation exploring the (im)possibility of recounting war as an experience and its place in this society. Now adapted for the stage.

The musical theatre collective Schatz & Schande follows the traces of nuclear power through landscape, language, and the soul. Between hope and destruction, nostalgia and downfall, sound, music, performance, and video unfolds a stream of thought about the invisible.

Two homelands, one longing: A woman travels by bicycle from Germany to Brazil to celebrate her grandmother’s 100th birthday. Bicycle, aerial acrobatics, theatre and memories accompany her.

It is not a reading, not a rehearsal and certainly not a finished play, but a one-off, irreproducible live performance. A leap into the unknown or a play with the here and now.

A turbulent theatre evening exploring the poetry and philosophy of insects and new ways of living together – with us and with you. Magic, discourse and transformation!